Saturday, March 27, 2010

Artista da Semana (março 28 - abril 3) - Michaela Rabitsch




http://michaelarabitsch.com/

BIO MICHAELA

Born and grown up in Upper Austria. Classical violin lessons at the age of 7; moved to Vienna with 14 to attend
Musikgymnasium and studied violin at conservatory of Vienna; completed with
university-entrance diploma.
Later on change to trumpet and studies for jazz- and popular music at the Bruckner conservatory Linz (now Anton
Bruckner private University) with Ingrid Jensen, Peter Tuscher and
classical trumpet with Fritz Handlbauer.
Plays and played with bands like: two of a kind, Hypersax, stage music at Burgtheater Wien, Just
for funk, Ladybirds, MBB, Blechvögel, Michaela Rabitsch Quartett feat.
Lukas Zimmer, Robert Pawlik Quartet, Sophisticated Ladies, Theater des
Kindes Linz, Damen der Gesellschaft, Con Moto, various Big Bands.
In the last years she focuses especially on her own compositions played
together in quartet or duo with Robert Pawlik.
"A modern day female Chet Baker" (Kyle O' Brien, Jazzscene)


Michaela Rabitsch, singer, composer and Austria’s only and top female jazz trumpet player and her ingenious partner – composer and guitar player Robert Pawlik are pleased
to release their junior release Moods. This album presents ten songs
that reflect the passion, energy and emotions of their life.

Moods is their first recording with exclusively original compositions presented by both leaders, reflecting the core of their current work. The album was recorded and mixed in
their private studio, which they try to optimize always according to
their needs, constantly looking for and achieving the ultimate sound
using vintage and only the finest gear in recording.

In the past both focused a lot on the standard repertoire – Michaela more on the Jazz repertoire and Robert more on funky and fusion side of music.

For more than ten years now they have shared their private and musical lives, playing together in their jazz quartet and their acoustic duo, writing for both groups and playing concert
tours together.

The fact that they studied extensively the Jazz standard repertoire and a lot of Jazz related music genres gives them a rich musical vocabulary to draw from. Listening to their music
will always bring new horizons to your listening palette.

Together they have developed a rich and eventful style, never trying to be purist’s only, but always looking for the core message of each song they are writing or playing, and how they
can express it best.

The fact, that Michaela is a trumpet player and singer at the same time gives her an extra venue of possibilities in expression and interpretation. “The fact that I can choose to sing or
to play a tune on the trumpet helps me to get to the essence of each
tune and it’s mood.”

As international touring artists, Michaela and Robert have performed at Festivals and Jazz Clubs not only in their home country Austria, but also in Germany,
Switzerland, The Czech Republic, Croatia, Slovakia, Bulgaria, Romania,
Israel, Italy, Serbia, Slovenia, Montenegro, Greece, Russia, Iran and
China.

Friday, March 12, 2010

Artista da semana (março 14 - 20) - Tia Fuller

Artista da Semana - Tia Fuller



http://www.tiafuller.com


Biography

Professional Saxophonist, Composer and Educator

Jazz musicians are blessed with the desire and ability to play a genre that has a history as rich as its sound. All the greats, past and present know that it’s not enough to simply play the notes, one has to live the music and feel it with every breath. When Mack Avenue recording artist, Tia Fuller picks up her sax to play, the two become one and something amazing happens as the notes and reverberations of her musical elixir fill the room. Suddenly, everything in the universe feels right and it’s easy to see and hear why this artist and teacher, who has a Bachelor of Arts degree in Music from Spelman College in Atlanta, GA, (Magna Cum Laude) and Master’s degree in Jazz Pedagogy and Performance from the University of Colorado at Boulder (Summa Cum Laude), was selected to be a member of the all-female band touring with R&B star, Beyoncé. As part of the I AM..Sasha Fierce and Beyoncé Experience World Tour promoting the superstar’sCD’s, Tia has played in various venues throughout the US, Europe, Africa, Asia and Australia. She is a featured soloist on the Beyoncé Experience DVD (Me, Myself and I) and also appeared on number of major television shows, such as The Oprah Winfrey Show, Today Show, Good Morning America, BET Awards, American Music Awards and Total Request Live.


An accomplished performer in her own right, Tia has recorded three CDs with her quartet. The first, Pillar of Strength (2005/Wambui), received praise as being "an exhilarating work that introduced her as a leader who strives for perfection" (Terrell Holmes, All About Jazz Magazine). Her sophomore release, Healing Space (2007/Mack Avenue), is an offering of “melodic medicine” that the wide-eyed optimist sincerely hopes will serve as a healing agent for those who indulge in it. Tia will be releasing her third CD “Decisive Steps”, Jan. 2010, which will be her second offering under the Mack Avenue label. Her quartet was recently featured at Oris Watches/ Time Tourneau building for WBGO’s jazz festival. Tia can also be seen performing regularly with a number of bands, including the Ralph Peterson Septet, the T.S. Monk Septet, the Jon Faddis Jazz Orchestra, the Rufus Reid Septet, the Sean Jones Quintet, the Nancy Wilson Jazz Orchestra, and Wycliff Gordan Septet.


The dynamic saxophonist has been featured in Jazz Improv Magazine, Rocky Mountain News, The Philadelphia Tribune, The Star Ledger, Downbeat Magazine and many other print and online publications. In addition to receiving numerous awards and marks of distinction, Tia was honored to be the keynote speaker at the Jazz Institute of New Jersey’s 2003 graduation ceremony, where she presented her “Journey to Success” speech. She also be featured solist playing “The National Anthem” for Detroit Tiger Stadium in Sept. 2009. Also, in January 2008, she had the privilege of participating in a press conference with pianist and composer, Danilo Perez and the Governor of the Republic of Panama, Carlos A. Villarino.

Tia believes her passion for teaching and inspiring students is in her genes because her parents were educators/administrators in the Denver Public School District. As a devoted educator, she presents lectures and teaches ensembles and masterclasses at some of the most respected institutions in the country, including Stanford University’s “Jazz Workshop,” the University of Idaho’s Lionel Hampton Jazz Festival, New Mexico State University, the IAJE Jazz Convention, Purchase College, WBGO’s “Children in Jazz” Series, Duquesne University and Panama Jazz Festival.


Tia moved to Jersey City, NJ two days before the events of September 11, 2001. Despite the fact that the jazz community believed there was not much work in the area during that period, she wasn’t discouraged and used the tragic event as a reason to succeed. She got her first gig playing in a big band at a fish fry in South Jersey. Brad Leali, who was playing in the Count Basie Orchestra at the time, spread the word that Tia was a skillful saxophonist who also played the flute. This brought her to the attention of others in the jazz community, including Gerald Wilson, Jimmy Heath, Don Braden and Don Byron, which led to her performing with a number of luminaries in the world of jazz.


With music in her blood and a song in her heart, Tia was born in Aurora, Colorado to jazz musicians, Fred and Elthopia Fuller. Her father, Fred plays bass and her mother, Elthopia sings. She grew up listening to her parents rehearse in the basement of their home, as well as the music of jazz greats, such as John Coltrane, Sarah Vaughn and Charlie Parker. I


Inspired by her older sister, Shamie, Tia began playing classical piano when she was just three years old and continued until she was thirteen. She also began studying the flute when she was nine. Her interest in jazz came into fruition in high school. It was during this time that she began playing the saxophone.

The Colorado native, who now resides in Essex County, New Jersey, says playing music makes her feel as if she is a vessel for the Spirit to flow through. While listening to her songs, she wants people to be uplifted and experience a sense of restoration, compelling them to move forward not in fear, but in love and faith.

Friday, March 5, 2010

Artista da semana (março 7 - 13) - Amina Figarova



http://www.aminafigarova.com
Amina Figarova is without doubt one of the most productive jazz composers
and talented jazz piano players from Europe. Amina started playing piano
and composing at a very early age. She studied as a classical concert
pianist at the Baku Conservatory, jazz performance at the Rotterdam
Conservatory and the Berklee College of Music in Boston. Amina made
her recording debut with Attraction in 1994, and was accepted into the
prestigious Thelonious Monk Jazz Colony in Aspen, Colorado in 1998.



With her husband multi-flutist Bart Platteau
central to the three horn frontline Ms. Figarova arranges for her sextet,
she plays compelling, artful and heartfelt changes on the urbane, bluesy
lyricism originally developed by the likes of Miles Davis, Horace Silver,
Bill Evans, Herbie Hancock, Wayne Shorter, et al. Though the recipient
of rigorous Russian musical education in the classics, Amina has come
to identify her sound with these master mainstream-progressives of recent
jazz decades after having explored aspects of the avant garde (in September
Suite, her shocked and sad response to terrorists attacks on American
soil) and multi-keyboard fusion-oriented funk (on Another Me).




On the CD Above the Clouds (Munich Records) one of the most cosmopolitan and accomplished artists in jazz today proves
that the music is a natural not a national language. Amina Figarova,
the globe-trotting Azerbaijan-born, Rotterdam-based composer-pianist-bandleader
with more than a dozen recordings to her credit has created a new album
of original songs that refresh the classic post-bop idiom established
by labels such as Blue Note, Prestige and Impulse! during the 1950s
and 1960s. Far from derivative or concept-conscious, though, Above the
Clouds unfolds as a personal, vividly colored, confidently-propelled
contemporary soundtrack, satisfying in and of itself.


Amina is stylistically wide-ranging, unwilling
to be pinned down, but most of her compositions on Above the Clouds
continue in the direction she set forth on Come Escape With Me, a 2005
release which reached top 10 status on the Jazzweek radio airplay charts
(two tracks preview her next project, a suite for nonet). Throughout
the entire album Amina's measured, graceful, touching pianism and cooly-controlled
ensemble writing demonstrate commitment and ease with a jazz idiom.


Amina Figarova performs with her own group at
many jazz festivals and jazz clubs around the world: Netherlands, Belgium,
Luxembourg, Austria, Germany, France, UK, Denmark, Israel, Bahrain,
United Arabs Emirates, Mexico, USA, Canada, Brasil, Azerbaijan, Indonesia,
South Africa, Tunisia, Dutch Antilles, Croatia, Italy, etc…



(Partly form the press release by Howard
Mandel c 2008)

Saturday, February 27, 2010

Artista da Semana (fevereiro 28 - março 6) - Brigitte Zarie

Artista da Semana - Brigitte Zarie



http://www.brigittezarie.com

Introducing BRIGITTE ZARIE, vocalist , composer and lyricist extraordinaire. Her new CD release , "Make Room For Me". A fantastic collection of all new , all original Jazz compositions written by Brigitte & performed by Brigitte's BigBand and Jazz Quintet. Old school never sounded so new ! An incredible rhythm section & stellar guest artists including , Randy Brecker & Jeff Golub , Tom Malone -Al Chez & Bruce Kapler from the David Letterman Show , and a host of NY's top session players helped to make this a CD to remember. Brigitte's international flavor shines thru, (she speaks 3 languages), on a second version of the title track recorded in French. She has also had songs from her catalogue performed and recorded by UK pop/opera artist Russell Watson in English and Italian. Other compositions have been featured on TV shows such as the O.C. , MTV, The Real World & TV Movies like Snow2:BrainFreeze and Future Cars. Her voice has been featured on spots for The NBA , Southwest Air , Toyota , Scotch Tape , Kay Jewelers and 2 new Feature Films for 09, FoodFight and LonelyStreets , just to name a few. "Make Room For Me". A collection of great "NEW" jazz compositions destined to be the standards of tomorrow. Get a taste and get in the mood ! Check out Brigitte Zarie at MySpace for a preview (www.myspace.com/brigittezarie) or visit www.brigittezarie.com Brigitte Zarie_"Make Room For Me" produced by Neil Jason For more info contact: Neil Jason @ NJMusic Inc. neiljason@brigittezarie.com

Friday, February 19, 2010

Artista da Semana - Elin



http://www.elinmusic.com/



Brand new rising star, Elin (pronounced EE-a-leen), has reached astonishing
heights on the music scene by now twice selling out Jazz at Lincoln Center -
Dizzy's Club Coca-Cola, and regularly performing at other prestigious venues
such as the Blue Note, Smoke, Sweet Rhythm, The Bar Next Door, and Zinc Bar.
Her star is also on the rise in other major cities such as San Francisco, Boston,
and Miami where she shared the stage with Chaka Khan, George Benson, and
Nancy Wilson at the 2008 Jazz in the Gardens festival. This year alone Elin has
performed in New York, Japan, El Salvador, Guam, Washington DC, Florida,
California, and Boston.

Born and raised in Sweden by Peruvian and Irish parents-and fluent in five
languages-Elin is the embodiment of multiculturalism. Her debut
album, Lazy Afternoon, released in the U.S. to rave reviews by jazz
radio and critics alike, is a genre-bending mix of American &
Brazilian standards combined with fresh new originals. On the US
JazzWeek charts, where it spent 22+ weeks, it debuted as the #1 most
added album on the World Music Chart then peaked at #6. On the
Traditional Jazz Chart, it debuted as the 6th Most Added CD, and on the
College Jazz Chart it peaked at #4. Performing in seven languages,
she's a polished jazz vocalist with a pop sensibility who showcases an
ardent vocal style and an uncanny ear for melody.


Elin grew up in three distinct cultures and continents - Europe, North and
South America. She's the oldest of six children, fluent in
five languages, an eight-year resident of New York City,
instrumentalist and student of music since the age of seven, and
utterly obsessed with Brazilian music! This should give you a start at
understanding the colorful complexities and remarkable adventures from
which Elin draws her inspirations and expressions.


It all began one lazy summer afternoon in Sweden when Elin was 15,
in a moment she says altered the course of her life forever. School was
out for summer break and I'd entertain myself, among other things, by
going through my parents' huge record collection. One day, she randomly
picked one out and played it, not really knowing why, only to become
mesmerized by a sound she had never heard before. It was Joao Gilberto
and Antonio Carlos Jobim. She assumed that this was jazz. Right then
and there, she knew she was meant to sing this music. I'm going to be a
jazz singer! she proclaimed. Someday, I'm going to go to Brazil, learn
to speak Portuguese, learn to play the guitar like that, and learn to
sing this music!


Although Elin had been studying music and playing instruments since
she was seven, she never liked jazz nor considered being a singer. But
after this, she started buying jazz albums of all the great female
vocalists including Billie Holiday, Ella Fitzgerald, and Sarah Vaughan,
and got heavily into American jazz, without realizing it wasn't exactly
the same as the music that had originally put her on this path. It
would be another seven years before Elin finally got back to her first
passion for Brazilian jazz. When my parents moved to the U.S., I was
able to attend the University of Florida. It was during this time that
I won a scholarship to attend a language course in Brazil where I could
finally learn Portuguese and delve into the music of all the great
Brazilian singers, such as Elis Regina, Leny Andrade, and Gal Costa.


But the major turning point in Elin's career as a singer came when she
met Miriam Jaskierowicz Arman, Ph. D., voice teacher extraordinaire, and
author of The Voice: A Spiritual Approach to Singing, Speaking and
Communicating (3 editions) and the CD "The First Lesson". The day
they met, Ms. Arman immediately asked one of her students to give up
her lesson just so she could teach Elin on the spot. From the very first
moment, she was convinced of Elin's talent, and it was then or never,
since Elin was scheduled to catch a flight back to NYC in just a few hours.
From then on, they worked long distance between NYC and South Florida
for several years before Dr. Arman finally moved to New York. Now, seven
years later, I can honestly say that I wouldn't have a career, or even a voice,
if it wasn't for Miriam. I owe her so much! She's the only voice teacher I ever had that taught me how to use my voice in the right way. And the learning is ongoing.


Elin continues to maintain a close connection to Brazil, the country whose
music she is so addicted to. Most recently, she spent a month in
Rio de Janeiro where she performed with world-renowned Brazilian
artists, including Durval Ferreira and Guinga. Based in New York City,
she continues to perform both in the U.S. and overseas. Her debut
album, Lazy Afternoon, showcasing a sublime mix of Brazilian and
American classics combined with original songs, was released on
September 5th, 2006 to rave reviews from critics and radio stations
across the country.

Friday, February 12, 2010

Artista da Semana (fevereiro 14 - 20) - Min Rager

Artista da Semana - Min Rager




http://www.ragermusic.com/min/minOpen.html

http://www.goear.com/listen/20c2f12/nothing-to-gain-nothing-to-lose-min-rager

Born in Seoul, Korea, Min Rager began her jazz career performing in local jazz clubs. Her reputation quickly grew and by 1996 she was performing with some of Korea's top jazz musicians in a variety of settings from clubs to concerts.

In 1997 she moved to Montreal to attend McGill University where she studied with Wray Downes, Jeff Johnston, Kevin Dean, Andre White, Gordon Foote and Jan Jarczyk.

While at McGill, she continued to develop as a pianist and composer and graduated 2003 with the distinction of Outstanding achievement in Jazz Piano.In 2003 Min formed a quintet as a vehicle for her original compositions and arrangements. This group, featuring some of Montreal's finest musicians, has performed in several premier venues including Upstairs and La Maison de la Culture Frontenac and toured nationally with the assistance of the Canada Council for the arts.

In 2004 this group with members Kevin Dean-trumpet, Kieran Overs-bass, Andre White-drums, and Donny Kennedy-alto saxophone completed a studio recording for the CBC Radio II program Jazz Beat. The show aired nationally in October 2004 and presented a repertoire of new compositions written especially for these musicians. The recording was released as Min's debut CD Bright Road on the EFFENDI label in October of 2005.

At the Montreal International Jazz Festival during that same year, her Quintet was nominated for the Grand prix de jazz General Motors. Also that year, Min's Trio (featuring Andre White on drums and Alec Walkington on bass) performed at Montreal's L'OFF Festival de Jazz where she was the recipient of the Best New Artist award.
In 2008 Min received a commission from CBC to compose a jazz suite for 2 pianos. The work, lasting 10 minutes, was submitted to the European Broadcasting Union as part of The Handel Project 2009 to commemorate the 250th anniversary of the composer's death. Min’s suite was recorded by CBC as part of a concert at Pollack Hall featuring NYC tenor saxophonist Walt Weiskopf and is available to stream on the CBC website Concerts on Demand.

Min is currently on staff both at McGill University as a part-time faculty member where she teaches courses in the jazz department and at the McGill conservatory where she teaches jazz piano.

Friday, February 5, 2010

Artista da Semana (fevereiro 7 - 13) - Jill Barber

Artista da Semana - Jill Barber


www.jillbarber.com


http://www.goear.com/listen/5184191/oh-my-my-jill-barber

If you believe they don’t write songs like they used to, here is new hope for old romantics. On her new album Chances, Canadian chanteuse Jill Barber picks up the torch where the golden age of music left off. Taking a giant step forward from the typical confines of the singer-songwriter , Jill delivers an album of ten original, fully orchestrated songs that strongly evoke – and could themselves become - classics. From the moment you hear her sultry voice on the opening title track, you are transported to another time and place. “The best songs ever written are the ones that somehow transcend time and fashion, “says Jill. ”They may be old, but they haven’t aged.

It is that timeless quality that I aspire to in my own songwriting. A seasoned performer with a growing fan base across North America and the UK, Jill gained acclaim as a 2008 double-Juno nominee and multiple East Coast Music Award winner for previous releases For All Time (2006) and Oh Heart (2004). In February 2008, Jill was given the extraordinary chance to perform in concert with Symphony Nova Scotia as part of its Pops Series. The results evoked the rich sounds of Patsy Cline, Edith Piaf and Etta James. It was clear that Jill, previously a self-proclaimed “smoky folkie”, had reached a new level. To recreate the magic of a live orchestra, Jill enlisted producer and long-time collaborator Les Cooper.

His gorgeous arrangements for a skilled backing band with a 10-piece string section were recorded live at The Glenn Gould Studio. Exquisite guest vocals by the Good Lovelies and The Sojourners and a special appearance by Ron Sexsmith contribute to a contemporary album of songs that capture the lush sounds of a bygone era. “Now I can finally claim to be making ‘popular music’. So what if it’s only what was popular 50 or 60 years ago,” says Jill, who composed many of the songs during an intensive three-week artist residency at The Banff Centre For the Arts. “They were kind enough to give me a studio space and leave me to my own devices. It gave me a chance to devote myself entirely to the writing process.” Also a first, Jill co-wrote a number of songs with producer Les Cooper and renowned singer-songwriter, Ron Sexsmith, who has also collaborated with Elvis Costello and Coldplay. “At first I was a little intimidated to work with Ron, but when we sat down to work, we had such a good time that I forgot what it was I was nervous about. We wrote five or six songs together in short order. Three of them appear on this album.” (“Chances,” “Old Flame,” and “One More Time”.)

Jill chose the album title Chances as befitting her approach to both music and matters of the heart. “ “Chances” is a love song, but it’s really about the mysterious role that chances play in our lives.” Recently, Jill took another chance and relocated from her adopted home of Halifax to Vancouver, as a result of the chance meeting that inspired the song. “I am drawn to write about love because it is a theme for the ages. Romance, on the other hand, seems to have gone out of style in much of modern music. I like to think of myself as a hopeful romantic, rather than a helpless one.”